the silly old maid

If we find the thing which makes us content but avoid it because of prejudices deep in our history then we are fools.

This season of football in a tv-less household has sent my love off to watch that enigmatic, crashing game at a dear friend's house. It is good on a deep, solid level to see her choose to enjoy herself and "leave me" behind because that has always been hard for her. I assure her I know she loves me no less...and that I need, need, need this time. It's so good for each of us.

After so many happy and companion-filled years I now have regular periods of solitude. I find that I am drawn to the same activities that delighted me as a young girl. (Except for the cooking, that's clearly an activity connected with adulthood for me.) I read. I listen to someone (okay, it's Garrison Keillor's craggy bass) read poetry to me. I do crossword puzzles. I write. I make things. I think about stuff. I make lists and plans.

It's even the fleeting self-consciousness that surprises me. The occasional awareness that my activities seem the choices of an old maid. First, why would I even care? Second, the charm of these things has been with me all my conscious life. Silly, silly woman/girl.

But it is fleeting and it does not change a thing. Dickinson and Milton and Angier and Gaiman, crossword clues and project drawings. And silence. Such lovely, velvety silence.

spilled milk

Spilled Milk

by Willa Schneberg

I can still hear the clink
of the milk bottles he brought home
10:00 in the morning after he made
his deliveries for Bordens.
Thirty-five years, they never
gave him off a Jewish holiday.
The goy he asked to do his shift
on Yom Kippur refused and
the next day he dropped dead.
They called it a Jewish curse.
Then they stepped all over each other
to work for him.

What could I do after his stroke?
I put him in a nursing home.
He knows me, but can't talk anymore.
Fifty years we lived together
he would never weep in front of me.
Now all the time his eyes are tearing,
but there is no more Morris to cry.

Lovemaking wasn't so easy between us
in the early years. We both felt guilty.
We thought we weren't supposed to enjoy
it and I was always worried
about becoming pregnant.
Later on we worried the children would hear.
But after they grew up and moved out
and I couldn't bear anymore
we began to have fun.
It wasn't always before going to sleep either.
Sometimes during breakfast
he would say, Let's go
and roll his eyes up to the bedroom.
Luba, he would say, I'll help you
take out the hairpins.
___________________________________
Listen to Garrison Keillor read this lovely poem here.

i would trade perfection for flavor

Figs

byErica Jong

Italians know
how to call a fig
a fig: fica.
Mandolin-shaped fruit,
feminine as seeds,
amber or green
and bearing large leaves
to clothe our nakedness.

I believe it was
not an apple but a fig
Lucifer gave Eve,
knowing she would find
a fellow feeling
in this female fruit

and knowing also
that Adam would
lose himself
in the fig's fertile heart
whatever the price—

God's wrath, expulsion
angry angels
pointing with swords
to a world of woe.

One bite into
a ripe fig
is worth worlds
and worlds and worlds
beyond the green
of Eden.

from today's Writer's Almanac

a little something while you wait

It's an age-old quandary, well, since the age of written communication anyway: writing takes time and energy. It is the living part of my (godhelpme) facebook status: The minutiae of sustenance is the getting in the way of living. Conversely, depression drives many of us to write, which is often therapeutic but not often conducive to good writing. There are exceptions, of course, but I am not one of them.

So while I toil with the turmoil and wrangle with the tangle, enjoy this.

This poem from today's Writer's Almanac picked my spirits up:

Naming My Daughter

by Patricia Fargnoli

In the Uruba tribe of Africa, children are named not only at birth but throughout their lives by their characteristics and the events that befall them.

The one who took hold in the cold night
The one who kicked loudly
The one who slid down quickly in the ice storm
She who came while the doctor was eating dessert
New one held up by heels in the glare
The river between two brothers
Second pot on the stove
Princess of a hundred dolls
Hair like water falling beneath moonlight
Strides into the day
She who runs away with motorcycle club president
Daughter kicked with a boot
Daughter blizzard in the sky
Daughter night-pocket
She who sells sports club memberships
One who loves over and over
She who wants child but lost one.
She who wants marriage but has none
She who never gives up
Diana (Goddess of the Chase)
Doris (for the carrot-top grandmother
she never knew)
Fargnoli (for the father
who drank and left and died)
Peter Pan, Iron Pumper
Tumbleweed who goes months without calling
Daughter who is a pillar of light
Daughter mirror, Daughter stands alone
Daughter boomerang who always comes back
Daughter who flies forward into the day
where I will be nameless.

food for thought; pie for poetry

Another delicious morsel from [today's] Writer's Almanac.

Blackberry Pie

by Jennifer Rae Vernon

is kernels of juice
blue, mom makes it do
magic heat to vanilla ice cream
purple dream

there were many nice things,
the corduroy pinafore
the daily notes in lunch sack
of a smiley face and curly cue hair
your mama loves you, and do great
with a thermos of homemade soup

dad too, he rocked me on front porch
after seven yellow jacket stings
i howled through the valley
in baking soda paste
while he sang, in the big rock candy mountain...

but just like grandma vernon always said
don't bother doing anything nice for your children
they'll only remember the bad things, anyway
like when she tethered my dad
to the front yard tree
so he could play when she was at work

was that bad? a ruined childhood?
bless her heart
and pie too, is sometimes
tart

sexy, sexy salad

From yesterday's Writer's Almanac. Poetry that makes your veggies blush.

Vegetable Love

by Barbara Crooker

Feel a tomato, heft its weight in your palm,
think of buttocks, breasts, this plump pulp.
And carrots, mud clinging to the root,
gold mined from the earth's tight purse.
And asparagus, that push their heads up,
rise to meet the returning sun,
and zucchini, green torpedoes
lurking in the Sargasso depths
of their raspy stalks and scratchy leaves.
And peppers, thick walls of cool jade, a green hush.
Secret caves. Sanctuary.
And beets, the dark blood of the earth.
And all the lettuces: bibb, flame, oak leaf, butter-
crunch, black-seeded Simpson, chicory, cos.
Elizabethan ruffs, crisp verbiage.
And spinach, the dark green
of northern forests, savoyed, ruffled,
hidden folds and clefts.
And basil, sweet basil, nuzzled
by fumbling bees drunk on the sun.
And cucumbers, crisp, cool white ice
in the heart of August, month of fire.
And peas in their delicate slippers,
little green boats, a string of beads,
repeating, repeating.
And sunflowers, nodding at night,
then rising to shout hallelujah! at noon.

All over the garden, the whisper of leaves
passing secrets and gossip, making assignations.
All of the vegetables bask in the sun,
languorous as lizards.
Quick, before the frost puts out
its green light, praise these vegetables,
earth's voluptuaries,
praise what comes from the dirt.

happy birthday, Billy Collins

Introduction to Poetry
by Billy Collins

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem's room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author's name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

via The Writer's Almanac

Goddammit, I love good poetry.